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Panavision Millennium DXL2
The majority of the major blockbuster films out there were shot on Arri or RED cameras. But before those two became Hollywood’s select choices, there was Panavision. Panavision’s Panaflex camera was the one of the most used cameras in cinema after it made its debut back in 1972. Panavision is now ready to try and take back the top spot once again with their newest cinema camera, the Millennium DXL2, and they’ve shockingly incorporated RED’s Monstro 8K VistaVision sensor right at the heart of the DXL2, giving it 16-bit, 8,192 x 4,320 RAW output with a reported 16 stops of dynamic range.
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Description
- Sensor Type: 16-bit, 35.4 Megapixel CMOS – DXL2, 16-bit, 35.5 Megapixel CMOS – DXL
- Resolution: 8192 x 4320
- Sensor Size: Large Format: 40.96mm x 21.60mm (Diagonal: 46.31mm)
- Dynamic Range:16 Stops – DXL2, 15 Stops – DXL
- Max Frame Rate: 60 fps at 8K Full Frame (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
- Recording Codec: 8K RAW with simultaneous 4K proxy (ProRes or DNx)
- Recording Media: SSD (up to 1 hour on a single magazine)
- File Type: .R3D (supported in RED SDK)
- Color Profile: Light Iron Color 2 (compatible with all popular gamuts and transfer curves)
- Weight: 10 lbs.
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